LightArt's Coil Collection Naturals in Office Insight

LightArt’s Coil Collection Naturals in Office Insight

Introducing Coil Collection Naturals

By Anna Zappia

Seattle-based lighting studio LightArt has introduced a new addition to their signature Coil Collection, Coil Collection Naturals. The fixtures are made from upcycled waste, just like the originals, but now feature new colors, bold shapes and sizes, and superior performance technology.

“The Coils Naturals fixtures are really just another evolution of what we can do with a product. It’s a continuation of what we started with Coil, emphasizing the material and then pairing that with the technology. We made the effort to take that content and craft it into a form that had tactile, visual, and emotional quality. We have taken the original and elevated it,” said LightArt president and creative director, Ryan Smith.

The 3D-printed pendants are crafted from the company’s internal waste material, which is then pelletized and sorted by color. When the Coil line was introduced in April 2020, black and white were the only hues to choose from, partly based on what was being sorted. “The original colors that we launched were a way to simply look at the material we were recapturing. The dirtier material, we made black. The cleaner material, we made white. And architecturally, it’s the neutral starting point,” Smith explained.

As with every LightArt product, the team continues to refine materials until the desired effect is achieved, and Smith noted that the first Coil finish was no exception. “We wanted to get the look of the material exactly right. We went through many cycles to get the perfect matte finish, and getting these balanced black and white colors was also a big part of that.”

When deciding to add color to the Coil Collection Naturals, it was the next logical step to incorporate earthy, mineral tones. The new shades are Red Clay, Limestone, and Granite Gray, bringing a touch of warmth to the modern fixtures. “We started to look at what was around us in the environment. Off-white is always a great color because it’s just the soft side of true white. Gray is right in-between. You can cover the different grounds but also have that wonderful reference to stone. And that deep red just felt right,” Smith noted.

The new colors are Granite Gray, Red Clay, and Limestone.

It’s not only a complementary palette, but Smith noted that these hues evoke a sense of calm that’s much needed today. “We love natural colors, and I think a lot of people are focused on colors that are comfortable to them right now. Natural colors are easy for all of us to understand, and they never go out of style—they are timeless,” he added.

Different shapes are in the line, a change from the basic round forms on offer. “Our typical products are made with a flat sheet, and so it was really fun for us to think about creating these new, distinct shapes,” Smith said.

Each canopy echoes the look of ages-old pottery or baskets, which resonates with the collective. “Part of the design process is the ability to elicit different emotions and reactions. If you can ring some of those bells at the same time, you’re on the right track. I think we’re doing that with these shapes,” he added.

This collection also heralds a shift to larger scale, not surprising given that Smith was trained as an architect. He’s constantly analyzing interiors and how people and objects interact within spaces. “I always approach lighting challenges through an architectural lens. It’s thinking about space, form, and the light itself. And how you combine all of those elements, whether it’s for a small, intimate room or a large, commercial setting, to make a space feel right.”

The design team plays with shape and scale to create bold pendants.

Smith noted that spaces are getting larger, workplaces in particular. He expects to see full-scale pieces in all types of offices. “A lot of these newer workspaces have higher ceilings, and they are feeling more voluminous. So, you need a bigger fixture to make sense of that architecturally.”

The LED technology in the Coil Collection Naturals is as exceptional as the design. “The output is about four times that of the original lamp. You can change the lenses and get different beam spreads. You can change the temperature, from warm to cool. There are all of these features that designers have been asking for,” Smith said.

Users want lighting they have the ability to control, to enhance home or office settings. With built-in drivers, illumination can be personalized. “I think everyone approaches lighting a little differently. When we think about what we do, we have to build that flexibility into the product. People are looking at things like dim-to-warm features to change their lighting. The dimmer the light, the warmer the glow is. This line is the first one to incorporate the broad use of this technology,” Smith noted.

While each aspect of the Coil Collection Naturals line is impressive, the sustainability component is one that Smith believes will have lasting impact. The fixtures are free of harmful Red List ingredients, key as designers and consumers alike make more thoughtful purchases. The Living Building products Challenge (LBC) Red List represents “worst in class” materials, chemicals, and elements known to pose serious risks to human health and the greater ecosystem. “We’re using PVC-free power cords and other ingredients that are not on the Red List. This is our strategy around new products, and Coil Collection Naturals embodies all of that,” Smith noted.

It’s a smart plan for the company’s bottom line, and it’s also a compelling story, one that we can relate to. “Over the last year, people have had a lot of time to reflect and think about what’s important and what isn’t. We want to spend our time and money on something that is going to contribute in a positive way,” Smith added.

The Coil Collection Naturals line sets the standard for sustainable lighting.

The fixtures in the Coil Collection Naturals line are made from upcycled waste. Photos courtesy of LightArt.

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meet the team

We’re inspired by diverse design perspectives, innovation, technology, art, and the world around us. We live for the chance to create and disperse powerful, genuine messages that resonate.

tessa franchini

principal
tessa@paxsonfay.com

Tessa graduated from Fordham University in New York with a dual bachelor's degree in Communications and Political Science. During her time at Fordham, she worked for an interior designer and at NBC News where she developed her love for both design and communications. After graduating, Tessa managed marketing at 3form, a pioneer in the sustainable building products industry. During her tenure, 3form was repeatedly named one of the most recognized manufacturers in the design industry among architects and designers, and the company won multiple awards for its innovative product launches. After 3form, Tessa consulted on marketing efforts with leading product manufacturers in architecture and design before starting Paxson Fay with Amy.

amy golden

principal
amy@paxsonfay.com

Originally from Seattle, Amy left her home in the Pacific Northwest to attend Fordham University, fulfilling her dream of living in New York City. After graduating with a BS in business administration, specializing in marketing and minoring in economics, Amy began her career in advertising sales at CNN and the Hallmark Channel in New York and LA. However, Amy’s love of writing, design, and connection with people ultimately led her to PR. While finishing her MBA back home at Seattle University, in 2015, Amy cofounded Paxson Fay with her friend and business partner, Tessa, driven by a shared vision to build a PR agency that reflected their values and passions. At Paxson Fay, Amy thrives in media relations and pitch development, enjoying the process of diving deep into each client’s story to craft compelling narratives that resonate with editors and journalists. Amy has a particular passion for architecture-focused projects, and securing SHED’s feature in The New York Times was an especially rewarding moment, as they were her first client. Another major career milestone was helping build out Paxson Fay’s talented team, fostering an environment where young professionals can grow their skills and pursue their passions. Outside of work, Amy loves spending time with her family, chasing after her two little boys, exploring Seattle’s restaurant scene, traveling with friends, and reading.

colby wood

senior account executive
colby@paxsonfay.com

After graduating from Fordham University in New York City with a major in Communications and Media Studies and a handful of marketing and PR internships, Colby moved to Boston to manage marketing for a small, women-owned, creative consulting agency. While in that role, Colby managed public relations and marketing efforts for some of Boston's most prominent events and public art initiatives, including the Boston Pickle Fair and The Bulfinch Crossing Projections in downtown Boston. Colby gained experience crafting brand stories and identities through social media marketing and creative copywriting, seen through the successful launch of a premier Massachusetts adult-use dispensary and the revamp of her agency's own website. After two years, Colby decided it was time to figure out what the West Coast was all about. Looking to blend her marketing experience with her passion for design and architecture, Colby found Paxson Fay, where she focuses on social media strategy and management and public relations.

paige childs

account executive
paige@paxsonfay.com

As a child, Paige wanted to be an architect; but after falling in love with storytelling, the power of words, and yes, the show West Wing, she decided to pursue journalism at The George Washington University in the nation’s capital. Following graduation, Paige crafted communications for the beauty and banking industries. Craving space for creativity, she joined the small team that would reopen the congressionally designated National Children’s Museum. There, she played an integral role in establishing the museum’s brand, bringing it to life across digital channels, including social media, email, and advertising. After nearly eight years in DC, she decided it was time for a change of scenery. Having grown fond of the title Washingtonian, she made the cross-country move to Washington State. She landed in Seattle at Paxson Fay, where in true full circle fashion she is the architect of social media and public relations strategies for our architecture and design clients.

martina povolo

account coordinator
martina@paxsonfay.com

Martina joined the Paxson Fay team as an intern when she was a senior at the University of Washington. After graduating with a bachelor’s degree in Journalism and Public Interest Communications, Martina is now continuing with the team as a Communications Assistant. During her time at UW, Martina worked as the Special Sections Editor at the university’s newspapers where she won multiple awards for her front page spreads. Looking to blend her minors in real estate and environmental science with her focus in communications, Martina is passionate and excited to join the Paxson Fay team.

tara lyons

account coordinator
tara@paxsonfay.com

With roots in Napa and Denver, Tara ventured to the Pacific Northwest to pursue her academic journey at the University of Washington, where she graduated with a bachelor’s degree in Communication and Education. Tara's love for writing began when she delved into songwriting, building on her pre-existing passion for singing and playing the piano. Following her undergraduate years, she returned to Paxson Fay, where she had previously interned, transitioning into the role of Communications Assistant. With a keen interest in PR and social media, Tara seamlessly integrates her creative flair into the professional realm. Outside of work, you'll find Tara passionately supporting the Kraken, embodying her love for both storytelling and sports.

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